USA: +1 707-877-4321 FR: +33 970-444-077

English Français Deutsch Italiano Español Русский 中国 Português 日本

FAVORITES MY CART

The 1000++ Artworks of topic Symbols,Animals,Architecture,Countryside,Village and ...

TOP251/1000
Marc Chagall - I and the VillageI and the VillageMarc Chagall

I and the Village is a 1911 painting by the Russian-French artist Marc Chagall. It is exhibited at the Museum of Modern Art, New York.The work contains many soft, dreamlike images overlapping one another in a continuous space. In the foreground, a cap-wearing green-faced man stares at a goat or shee...

 
TOP2782/1000
Camille Pissarro - Red Roofs, Corner of a Village, WinterRed Roofs, Corner of a Village, WinterCamille Pissarro

Pissarro's painting entitled Red Roofs, Corner of a Village, Winter is a relatively small canvas measuring only about 55 by 88 cm. It is oil on canvas and is on display at the Musée d’Orsay in Paris. Most Impressionist artists painted in the open air. They would take their easels and canvases out in...

Musée d'Orsay (Paris, France)
4/1000
Mburrnggei, Amachi-Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingMburrnggei, Amachi-Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
6/1000
Abwiyeti, Wanyi - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingAbwiyeti, Wanyi

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
7/1000
Kazimir Severinovich Malevich - Morning in the Village after SnowstormMorning in the Village after SnowstormKazimir Severinovich Malevich

Morning in the Village after Snowstorm is a perfect example of Russian Cubo-Futurism. Not quite cubism, it was a method of portraying object via geometric shapes. This painting was created by Malevich in his earlier career, when his paintings were still representational and he had not clearly deline...

8/1000
Tagopai - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingTagopai

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
9/1000
Numei, Amachi Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingNumei, Amachi Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
11/1000
Mburrnggei, Amachi-Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingMburrnggei, Amachi-Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
12/1000
Numei, Amachi Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingNumei, Amachi Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
13/1000
Paul Yapmunggwiyo, Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingPaul Yapmunggwiyo, Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
14/1000
Daniel Kuraga - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingDaniel Kuraga

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
15/1000
Abwiyeti, Wanyi - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingAbwiyeti, Wanyi

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
16/1000
Numei, Amachi Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingNumei, Amachi Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
17/1000
Yuanei, Abgwala Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingYuanei, Abgwala Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
18/1000
Kulumb, Simberaga Wanyi - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingKulumb, Simberaga Wanyi

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
19/1000
Yinongwut, Sunggwei Wanyi - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingYinongwut, Sunggwei Wanyi

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
20/1000
Yinongwut, Sunggwei Wanyi - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingYinongwut, Sunggwei Wanyi

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
21/1000
Yinongwut, Sunggwei Wanyi - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingYinongwut, Sunggwei Wanyi

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
22/1000
Numei, Amachi Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingNumei, Amachi Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
23/1000
Yuanei, Abgwala Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingYuanei, Abgwala Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
24/1000
Abwiyeti, Wanyi - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingAbwiyeti, Wanyi

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
25/1000
Numei, Amachi Kalaba - Painting from a Ceremonial House CeilingPainting from a Ceremonial House CeilingNumei, Amachi Kalaba

Throughout New Guinea, men’s ceremonial houses were, and in many places still are, the primary focus for painting and sculpture. Like the cathedrals of medieval Europe, they are generally the largest and most sacred buildings in the village, rising high above the ordinary dwellings that surround the...

 
-